Well, what's "wrong" is that it originally started out as basically a looping toy. Actually I used to use FL for scoring too, but its sync-to-video is appalling, and you can't do intelligent tempo ramps. Me, I like Cubase for orchestral scoring, and FL Studio for everything else. but not the only device out there with the same feature set. I think Ableton is like the iPhone of the DAW world - an amazing device that has huge potential and a great interface, with an evangelical and zombie-like following. I "get" Ableton, and I find it amazingly flexible, but I don't like it either.
That was a turnoff for me, and I moved on. At that time, my complaint was that it was very loop-centric, and didn't really cater too well for composing styles that relied on midi. I used to get into very heated debates about which DAW was the BEST, but the reality is that if you're making tunes with it, then it works. If you're making music with it, it's not lacking. My personal set up at home is Live with APC40 and a bunch of plugins for remixing (can also run Reason via Rewire if I need to), Pro Tools for recording, and sometimes Logic if I need to get into a lot of advanced MIDI editing.
It's a great way to learn synthesis, sampling etc without having to have a rack of real modules.īelow is a link to an overview of Live I did for the students, showing it linked up to an Akai APC40 While you can do time stretching and beatmatching via recycled loops, I tend to keep it for sound creation. Reason can do a lot of the things the others can, but in my opinion is better for sound design. This makes it great for performers, as you're not locked into the timeline based way of working that most sequencers have. Live is also completely different in the way that it works, being based around small sequences which can be triggered in any order. Live (especially version 8) is very powerful and flexible in this area, and very easy to use. Where it lacks in comparison with something like Live is that it lacks a lot of the flexibility in the timestretching/beatmatching - particularly on longer tracks. Acid is very easy to get something happening with straight out of the box, so we tend to get students started on that. Plus, you'll even have the option of creating customized radios based on one song or playlist, which will guarantee that you always enjoy songs that are adapted to your tastes.I teach Acid, Reason, and Ableton Live at university. One of Spotify's huge advantages in its latest versions is that it lets you use apps and complements that offer the possibility of enjoying a complete experience when listening to your favorite music catalogue.
Plus, in spite of being a streaming music player, Spotify lets you listen to any song from a specific point, and even lets you play your local files using the same app. The program lets you create and edit playlists, play on shuffle, repeat playlists, pause, display the album covers of the music you are listening to, and integration with Last.fm. Another way to enjoy the catalogue is by using its radio featuring music classified by genre and date, or subscribing to any of the thousands of playlists available, both official and user-created. Spotify features an enormous music catalog, supported by the main record labels as well as independent producers, all of it in an easy to explore environment thanks to its great search engine.
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Spotify is a well-known free app that plays music online via streaming and that has ended up beating its competition over time with millions of users around the world. Imagine having one the largest music catalogues at your disposal to listen to on your computer or laptop.
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